Discography

Refuge Of The RoadsRefuge Of The Roads
8/24/2004
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Shadows & Light (live concert)Shadows & Light (live concert)
6/24/2003
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ABOUT

When the dust settles, Joni Mitchell may stand as the most important and influential female recording artist of the late 20th century. Uncompromising and iconoclastic, Mitchell confounded expectations at every turn; restlessly innovative, her music evolved from deeply-personal folk stylings into pop, jazz, avant-garde and even world music, presaging the multi-cultural experimentation of the 1980s and 1990s by over a decade. Fiercely independent, her work steadfastly resisted the whims of both mainstream audiences and the male-dominated recording industry — while Mitchell's records never sold in the same numbers enjoyed by contemporaries like Carole King, Janis Joplin or Aretha Franklin, none experimented so recklessly with their artistic identities or so bravely explored territory outside of the accepted confines of pop music, resulting in a creative legacy which paved the way for performers ranging from Patti Smith and Chrissie Hynde to Madonna and Courtney Love.

Joni Mitchell moved to New York City in 1967, and took up residence in the arty Chelsea district. She met Elliot Roberts in the fall and he began to manage her career, helping to open up the circuit for her in New York City.

After she signed to Reprise in 1967, David Crosby offered to produce her debut record, a self-titled acoustic effort that appeared the following year. Her songs also found great success with other singers: in 1968, Judy Collins scored a major hit with the Mitchell-penned "Both Sides Now," while Fairport Convention covered "Eastern Rain" and Tom Rush recorded "The Circle Game."

Thanks to all of the outside exposure, Mitchell began to earn a strong cult following; her 1969 sophomore effort, Clouds, reached the Top 40, while 1970's Ladies of the Canyon sold even better on the strength of the single "Big Yellow Taxi." It also included her anthemic composition "Woodstock," a major hit for Crosby, Stills, Nash & Young. Still, the commercial and critical approval awarded her landmark 1971 record Blue was unprecedented: a luminous, starkly confessional set written primarily during a European vacation, the album firmly established Mitchell as one of pop music's most remarkable and insightful talents.




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